Coldplay albulm review Essay Example For Students

Coldplay albulm review Essay To set the scene; youve just sold an incredibly unexpected eight million copies of your immense and indisputably magnificent debut album, Parachutes which is now able to take its well earned place amongst the most popular records of 2000. The melody of Yellow seems forever laced into every hum in Britain, Youre rapidly being hailed as musical geniuses and rightly so, to voice my avidly fanatical Colplay bias and the phone is red-hot practically spontaneously combusting with countless invites to Showbiz gatherings, Life is good. Then through the media induced frenzy that encompasses you and between the plethora of elebrity congratulations and numerous awards, anticipation of your next move finds abundance, and begins to settle on your every conscious minute with the question What the hell do we do next? ensuing. This was the situation that Coldplay found themselves in, although they didnt have to look very far for advice. In Bono of U2 fame, who invited them to perform at Slane Castle and even managed to weave a few bars of Yellow into U2s set, and in Echo The Bunnymens, Ian McCulloch, who has become a kind of paternal influence on the Boys of late. For a short lived period at the dawn of the 80s The Bunnymen and U2 endured a fierce rivalry, both assured of the overcoat clad, young one idolising, Student vote, and both aspiring to something much more befitting in the case of U2 at least. As erstwhile Bunnymen manager Bill Drumond relates in his book forty five, the road forked when The Tube screened U2s open-air concert in Red rocks, Colorado and the stadium circuit was theirs for the taking. Echo The Bunnymens subsequent fourth album, Ocean rain, failed to compete with U2s level of success. U2 led by the enigmatic Bono went on to become one of the biggest bands of all time. Echo The Bunnymen didnt. I am not one to suggest that size and quality should ever be equated, but for every next U2 that British guitar music has spawned over the last 20 years, countless more have fallen short of the mark and had to settle as heirs to Echo The Bunnymen. We are spoiled for flawed masterpieces, cantankerous geniuses, heroic follies and glorious near misses, by now the British public are as accustomed to seeing great bands falter on the edge of the big time as we are to watching the England football team crumple in a quarterfinal. It doesnt make them any less inspiring but it would be nice from time to time, to see one go all the way? So its not just beleaguered EMI board members who relish the thought of Coldplay becoming a world class concern. Here are songs so astonishingly brilliant as to warrant the entrancement of a Glastonbury Audience a full two months before their release, yet through them ring true such outrÃÆ'Â © influences as The Flaming lips opaque song titles such as The Scientist. And Sigur Ros the overwhelming washes of melody its an amazingly potent combination. The only question previous to the immense A Rush of Blood to the head has been whether the fresh faced quartet are ready to accept their divine right to be mentioned in the same breath as the worlds greatest bands. Judging from Chris Martins recent comments, the answer, with reservations is, YES. And with A Rush of Blood to the Head I think the rise and rise of Coldplay seems imminently assured. To produce a goal-post moving, earth-shattering, unprecedented compilation of emotive songs, with the power to set a new extraordinary standard, bring rapture to an audience, rock the music world and dismiss any burden imposed by its predecessor should be the objective of any esteemed band when embarking on a second album. Is Downloading Free Music from the Internet Unethical? EssayGenius is again clearly demonstrated in the soaring middle eight, the most U2 ish moment of a very U2 ish album. Then Daylight bursts in to a spiralling eastern guitar motif, mere millimetres from Echo The Bunnymens The Cutter. Berrymans finest bassline also resides here, and comes to a climax with the kind of psychedelic mantra redolent of The Verve. To maintain the momentum of the first half would be a superhuman feet, indeed Coldplay dont. It is tempting to agree with Berryman that the folky, featherweight, Green Eyes along with the charmingly mellow Warning signs should have been consigned to B-sides, although they does appear to constitute a deserved breather before the intense final stretch. A Whisper clatters into existence in a flurry of crashing cymbals and turbulent guitars, which continues to the usual haven of the chorus, which in this case is not consolidating but to provide variety offers spiky tension. It is frankly not the kind of song you would have previously associated with Coldplay. The magnificent title track could well find a place amongst album tracks from The Flaming Lips, and ballad-mode Radiohead, as it exposes previousely dormant aggression Im gonna buy this place and burn it down inspired, according to Martin, by a phase of listening to Johny Cash and Nick Cave. Then it erupts into a chorus so amazing that it can be viewed on the same scale as one of mans greatest achievements, the Great Wall of China, it may also be compared to the aforementioned by the fact that it is probably visible from space. Which just leaves Amsterdam so named because-get this-thats where it was written. A more sophisticated and mature relative of Parachutes closer Everythings Not Lost, it coos Time is on your side. To a backdrop of tinkling ivories and lowing harmonies, then considers gliding to a fade before changing its mind and mounting a final crescendo instead. As Amsterdams final piano chord wavers into silence the question to ask must surely be, Who wont find space in their CD racks for a piece of work so brilliant as A Rush Of Blood To The Head?. True it lacks some of those head-turning, What the hell was that? , moments attained by, say, The Flaming Lips, also those who enjoy burrowing for hidden depths will find little to satisfy heres, due to the sincere style of Chris Martin. But for everyone else this must be the apotheosis of Post-Radiohead guitar-rock, a collection of vastly moving songs, that will render even the biggest stadium venues as intimate as bedrooms. U2 Radiohead Colplay? It would seem so.